University of Oregon

Department of the History of Art and Architecture


Prints from the WPA on exhibit at JSMA

Above: Merrit Thompson, a senior in the Department of the History of Art and Architecture, curated the exhibit.

Merrit Thompson


‘Monuments Men’ movie has direct link to UO

The movie “Monuments Men,” which opens in theaters across the country Thursday, February 6, has a direct connection to the University of Oregon School of Architecture and Allied Arts. The movie tells the story of nearly 350 architects, artists, art historians, curators, and museum directors who joined the U.S. military specifically to save cultural treasures from destruction by the Third Reich in the waning days of World War II. Two of these “art heroes” spent significant time in A&AA: Gordon Gilkey, MFA ’36, and Mark Sponenburgh, who taught art at A&AA from 1946-1957.

Gordon Gilkey


Third edition of Roth’s classic Understanding Architecture adds co-author

A significant new edition of Professor Leland Roth’s Understanding Architecture is due out this month by Westview Press, a division of Perseus Books. The revised edition includes a quadrupling of the number of color plates, new black and white illustrations, and six new essays on each of the major non-Western architectural traditions: Indian, Chinese, Japanese, African, Islamic, and the architecture of the Americas.

Emeritus Professor Leland Roth (left) and Amanda Clark (right)


A&AA students finalists for Rhodes, Marshall scholarships

Two students from A&AA are finalists for prestigious international academic honors—one for a Rhodes scholarship and one for a Marshall scholarship. Mika Weinstein, a planning, public policy and management major and biology minor, was chosen as a finalist for the Rhodes scholarship. Maggie Witt, a history of art and architecture and English double major, was named a finalist for the Marshall scholarship.

Mika Weinstein (left) and Maggie Witt


Symposium to consider art forgery

Much debate and perplexity comes from the subject of authenticity in the art world. While an original work of art invariably has more value than a copy, the problem of distinguishing between the two has become especially concerning.

Event poster